DUO IMBESI ZANGARA’ – Whispers
Whispers, ispirata ai dialoghi interiori, esplora quella voce con cui tutti ci confrontiamo quando, usciti dalla solitudine della virtualità, ci specchiamo in noi stessi, diventando ora amici comprensivi, ora giudici spietati. È un viaggio introspettivo che tocca chiunque, da sempre oggetto di studio per filosofi, medici, scienziati e religiosi.
The Omni Foundation for the Performing Arts presents, in partnership with D’Addario, Duo Imbesi Zangarà playing an original composition entitled, “Whispers” filmed in Falcone, Italy as part of Omni’s on-Location series.
Duo Imbesi Zangarà Whispers by Carmelo Imbesi and Carmen Zangarà “Whispers is inspired by that inner voice with which we all confront ourselves when, emerging from the solitude of the virtual world, we reflect on our true selves, becoming at times a compassionate friend and at others a ruthless judge. This introspective journey, from which no one is exempt, has been the subject of study by philosophers, doctors, scientists, and religious figures. This is our translation into music.” (Carmelo and Carmen) “The listener is welcomed onto a sound carpet where suspended echoes of Debussian harmonies resonate. Evoked in the key moments of the piece, it defines the genesis, derivation, and epilogue of the conflict between the ‘I’ of reason and the ‘I’ of critical consciousness.
The first guitar expresses its melody through a theme rich in pathos, constructing its narrative on the relentless rhythmic foundation provided by the second guitar, which, through brief counter-melodies and responses, emulates a restless state of mind tormented by itself. The central section looms heavy and violent: a timeless, dramatic chordal theme, with shouted triads imposing themselves over the underlying whispers, closing in a final poignant dialogue: a resignation to a state incapable of resolving its own conflicts. Section B is impetuous, featuring a tight, rhythmic struggle of non-acceptance fueled by the desire to reclaim one’s identity and mental strength.
The two guitars challenge each other without respite, navigating rhythmic tensions and dissonant notes. The final melody emerges like a prayer for spiritual liberation, witnessing the inner obsessions fade in the last cadence: the ‘I’ of reason observes the slow demise of the whispers, aware of being both the creator and the executioner.”
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